So I
Met a Man From Sri Lanka
Under the rising sun, a sea of
grass danced in the wind as a child plays. Clutching his bokken, he swings his wooden sword at a
pretend demon. His shadow grows
under the morning sun he is lost in his play… without a care in the world. From shadows of the twisted trees, his
father watched him as he played. A
smile found its way to his face as he watched the boy play. He was content, for
he too had not a care in the world.
The gong, or rather bell rang for
the second time, shattering my thoughts.
Had it been forty minutes already?
As we rose we met just outside the Zendo, visiting the Zendo this week
was a monk from Sri Lanka. Jess
asked him, what would he recommend to a beginning Buddhist. To paraphrase he said that breathing
was perhaps the most important aspect.
He also said that when we calm the body, we calm the mind, “And that is all
I have to say, at least for now.” Is
what I recall. We also ran into a
student from Sinclair, she was taking this class with a different teacher, and
said that she wished she had taken the class sooner.
Moving further back into time,
perhaps when we first arrived at the Dharma Center. I remarked to Jess, “Man this is gonna take forever.” She was like, “I know you’ve been
looking forward to it.” I counter
with, “It’s not that, I like to keep my mind active. Do nothing, thinking nothing is… is not something I know how
to do.” We had arrived just in
time, I made it a point to remove my shoes, and out walked a Buddhist Monk…
what the… I was not expecting that.
I guess I was expecting some hippie dude. We are in Yellow Springs after all.
I remember walking into the room,
into the Monastery. I took a
moment to look around, and then I started to head for the chairs lining the
back of the room. But Jess headed
for the mats. In the end I
realized that, I can always sit in a chair latter. But, I’ve never sat on a prayer mat… meditation
cushion? All I know is it began to
hurt my butt. I did not even
attempt to sit in the lotus position I ended up sitting cross-legged, Indian
style. Then the gong rang.
I remember looking across the room,
what am I supposed to do? Just sit
and breathe? I look to the monk at
the head of the room. He’s sitting
their calmly and serene. Honestly
I began to wonder is this preparation for death? The stillness of it all, it felt very somber. Eventually I close my eyes, and I rest
my hand on the palm of the other.
Man time is taking forever.
Inevitably my eyes open, I can’t keep them shut they wander around the
room. I look at the alter, flowers
filled vases adorning the statue. I
notice one of the wall outlets is crooked, and one of the grates on the heater
as fallen in on itself. I try to
force my eyes close once again, but to no avail. My eyes tarry on the sole poster in the room, I think it is
blue skinned man but in the fading light it is hard to tell. It definitely reminds me of Krishna.
The hardwood floors are laced with
cracks. I begin to trace them with
my eyes. I begin to reflect
inwards. Maybe the first crack is
reminiscent of my early childhood, cut so short. As the crack diverges left and right, I think maybe
left is where my life could be and to the right is where it is. As the second crack intersects the
third it diverges. The crack is
large, like a large pit. A
trap. Maybe this is where I am, at
the edge of the third crack. I
have been wading in this stagnant water, stuck wandering with no real goals. I
have lost count of my breath.
I force my eyes shut, and my mind
begins to wander. So I tell it a
story of a young boy. A Samurai’s
child. He is playing in the field,
without a care in the world. He is
playing with his father.
Eventually the father tires, and he instructs the boy to sit, he tells
him to just sit and listen. The
father looks down, and explains to the child there is more than just play in
this world. It is full of pain and
suffering. As the sun reached its
Zenith, he began to explain to him the ways of the world, he speaks of things
pertaining to life, and death. He
passes his knowledge to the boy-child.
By the time of the setting sun, the pair returns to their home.
I open my eyes, and look out the
window. I can hear birds singing,
cars driving by, and a child’s laughter.
My eye catches the bush dancing in the wind. I wonder what causes the wind? As I watch the branches sway, it reminds me of the
ocean. I can’t help but think of
the lapping waves, could the waves cause the wind to blow? It seems absurd, but perhaps the wave
pushes the wind. I have been told
a butterfly’s flapping wings can cause a tsunami in Japan. But images of ocean, lead me to the
moon. It is understood that
celestial body is responsible for the oceans current. Perhaps it’s gradual spin around the globe, causes the
drifting winds. Man that Yuenling
Light in my fridge sounds good right about now.
I begin to realize my mind is
drifting aimlessly from one thought to the next. I close my eyes and summon my story back, giving something
to my weary mind to grasp onto.
The child awakes from his sleep, as
the light drifts over his sleeping body.
In a daze he staggers towards the doorway. He sees his father outside arguing with the Tax Collectors,
demanding his tribute. His father
looks back at him solemnly. “I do
not have it, we are but lowly rice peasants. Our crop is small, our harvest was bad, and we have just
enough food for the two of us.”
The guard snickers, “Come here
boy.” He motions to the
child. “We will take your boy as
tribute, and now you can pay us your grains.”
The boy is taken from his home,
carried away by the guards. He is
enlisted in a prison camp, sent to mine the river for the precious black
sands. The prisoners are malnourished,
being fed just a single cup of rice each.
Fed just enough to keep them alive. To supplement his hunger, the child learns to hunt the
salamanders on the banks of the river.
He considers running away, but they will just track him in the mud. One day as he is hunting the
salamander, and the beast slips away.
He was too tired to chase after the beast, and collapses. As he lay there sinking into the mud,
he notices the lizard’s tracks end at the river’s edge. He realizes that he can use the river
to escape.
As he makes his way home, he can’t
wait to see his father, to be reunited at last. The land begins to look familiar, and he knows that he is
close to home. His pace quickens,
he sees his father’s cabin. It is
dilapidated, and covered in weeds.
It is not the place he once remembered. As he approaches the door, he can tell something is
wrong. He opens it, as the light
fills the room he can see his father’s decaying body. His father had lost the will to live he had killed himself. And
that is the story I told myself.
Then the gong rang once more; I
look around puzzled has it been forty minutes already?
After it was all said and done it
felt like mere minutes, and not two thirds of an hour. It’s funny it felt like forever when I first
sat down, and in the end it felt so short…Kind of like life. Maybe because
there wasn’t a clock for me too look at, that I felt I had been liberated from
time. When our meditation was
done, my eyes scanned the rest of dharma center for a clock. When I found one, I reassured myself it
had in fact been forty minutes. I
had been lost from time. Perhaps
it is liberating to live in a world not dominated by numbers.
I think, no I know, I probably mediated poorly. My mind jumped from thought to thought. It was in constant motion. I probably didn’t sit right at all. As one hand rested in the other, I
could feel the sweat forming. But
does it matter? I sat, not looking
for anything and I found nothing.
Perhaps mediation could be used as a tool to further my writing. I love stories, the capturing of the
human emotion. Lord knows I don’t
spend enough time doing the things I love.
A strange, and perplexing thought
traversed my mind, is suffering the ultimate form of entertainment? My mind struggles, to grasp this
concept. Death dominates the News;
stories of war bring the masses to box office. We watch the suffering of others, transfixed on how they
will adapt. If they will adapt,
are we preparing ourselves for such struggles? Or perhaps we are reminded of
our own struggles. I wonder does
story telling hold any place in meditation?
Perhaps the story is a metaphor for
our lives. As children, the world
is a serene simple place. We play,
un-jaded. And then it becomes
complicated. We no longer, live in
our peaceful bliss. Perhaps the
father figure in the story represents my father, a man who walked away from my
life, or perhaps have I turned my back on him. Or better yet, perhaps the father figure is a representative
of god, and it is a story for all the people. Or whatever benevolent force, that spins the wheels of this
world, to appease the Buddhists or atheists of the land. Due the guards represent the forces of
this world tear us from his grace, from his arms. We live in this paradise, but all we see is hell. The home we left will never hold the
same luster it once did. Did the
man wither away? Or has he turned
his back from us? Has he lost hope
in us? What of the innocent child,
slaying demons. Perhaps he already
knows this world isn’t so innocent.
Perhaps it is simply just a story, one told to keep my mind still.
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